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At the upcoming ART SG 2024, scheduled for January 19-21 at the Marina Bay Sands Expo and Convention Centre in Singapore, Gazelli Art House is poised to present an intriguing blend of historical and contemporary computer-based art. The gallery, under the leadership of Mila Askarova, will feature the works of Harold Cohen and Jake Elwes, two artists who have significantly impacted the digital art landscape.
Harold Cohen, a pioneering figure in the realm of computer art, is set to be a focal point of the exhibit. Cohen’s journey as an artist intersected with artificial intelligence, leading to the creation of AARON, a computer program designed for independent art creation. His works, including “AARON at Tsukuba #6” (1985) and “Suite for Discovery Channel Online” (1995), are early examples of how technology can intersect with artistic expression, offering a glimpse into the evolutionary path of digital art.
Jake Elwes, a contemporary media artist, complements Cohen’s historical narrative. Elwes’ work, particularly “Zizi in Motion” (2023), explores the intersection of machine learning, artificial intelligence, and drag performance. This series, along with “Latent Space” (2017) and “Taking a Phone for a Walk (Chicago)” (2016), highlights Elwes’ nuanced exploration of AI’s capabilities and limitations.
Image: Gazelli Art House
The showcase at ART SG 2024 represents a critical juncture in the understanding of computer-based art. By juxtaposing Cohen’s pioneering work with Elwes’ contemporary explorations, Gazelli Art House underscores the rapid evolution and growing significance of digital art in the modern era.
This convergence of past and present at ART SG 2024 not only reflects the dynamic nature of digital art but also serves as a testament to Gazelli Art House’s commitment to fostering a deeper understanding of this genre. The exhibition is set to offer a comprehensive view of how digital art has transformed over the years, marking a significant moment for both connoisseurs and the curious in the art world.
