How will the events of 2020 change the way galleries run their businesses in 2021? Tune in on Friday, January 29th, from 11:00 a.m. to 11:30 a.m. (EST) / 4:00 p.m. to 4:30 p.m. (GMT) as Artsy’s Chief Revenue Officer and Head of Global Sales & Partnerships discuss: The most important takeaways from Artsy’s 2021 […]
The 2020 auction season—a wild ride of improvised sales amid strong but elusive demand—closed out with Asia driving the market for a wide range of artists. Kim Heirston and Koji […]
DAM in Museums: A Deep Dive into the Use Cases and Technology In this pre-conference deep dive session, we'll explore typical museum use cases and implementation scenarios for DAM. Specifically […]
Valerie Cassel Oliver, Curator of Modern and Contemporary Art, Virginia Museum of Fine Arts, and The Armory Show's 2021 Curatorial Leadership Summit Chair, in conversation with Agnes Gund, President Emerita […]
Join The Art Newspaper for an informal discussion on 26 February at 4pm GMT between our Art Market Eye team of Georgina Adam, Anna Brady and Anny Shaw as they […]
The next installment of "Reimagining the Future of the Arts" will explore the forthcoming study, "The Alchemy of High-Performing Arts Organizations, Part II: A Spotlight on Organizations of Color," a […]
The Literoom is a think tank, an incubator, and an accelerator - an open association based in Basel, Switzerland, the home of several world class art institutions and the centre […]
Museums have a shared commitment, responsibility and authority in relationship to their communities. Museums are places of learning and exploration, key institutions for influence and dissemination of public scholarship. How […]
THINK DIGITAL. Towards the museum of tomorrow. Technological advances and their transformative potential. The aim of this webinar is to debate the relationship between citizens and the culture and art […]
The practical, financial, and social impacts of the coronavirus alongside a national reckoning with racial injustice has increased the urgency to address why, how, and for whom museums exist in […]
